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Secret Command

1944· 82 minNR★ 6.6

From Columbia Pictures

DRAMA...by a handful of men and women who fight the enemy within our gates!

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Where to watch

Not available to stream in US

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Synopsis

Sam Gallagher returns home to Los Angeles as an undercover spy for the Navy, getting a job at the shipyards where his brother, Jeff, is a foreman. Jeff still resents Sam for abandoning the family years ago and fears he may steal away Lea Damaron, his current girlfriend -- who is Sam's old flame. While Sam tries to sniff out Nazi saboteurs in the plant, he grows closer to Jill McGann, the agent tasked with pretending to be his wife.

Themes

Cast & crew

Directed by A. Edward Sutherland

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Reviews · from TMDB members

CinemaSerf★ 6/10Feb 9, 2026

The authorities suspect that there are some traitorous shenanigans going on at a shipyard that is about to work on an aircraft carrier, so they draft in “Gallagher” (Pat O’Brien) - complete with a new family - to the site in the hope that he can infiltrate the nest of vipers. He has very recent experience of working in Europe, his “wife” is FBI agent “Jill” (Carole Landis) and their two kids are supposedly relocated wartime refugees. Now his estranged brother, “Jeff” (Chester… Read more

Morris), who got him the job in the first place is less than convinced by this all too conveniently presented arrangement. His suspicions only add to the tension as he suspects that perhaps his sibling is out to rekindle a prior relationship with his own girlfriend “Lea” (Ruth Warrick) and so he begins to complicate what is already a fairly precarious situation for “Gallagher”. The workplace is a dangerous enough place at the best of times, and so “Gallagher” knows that one wrong move could alert their enemies and see him at the bottom of the sea. Can he discover who is up to no good in time? Morris barely features so the show is left to a competent O’Brien who does enough here to keep the mystery moving along despite a serious surfeit of dialogue at the expense of much by way of action. I can always do without any romantic elements in thrillers but though contrived a bit, this one also serves to reinforce a message to the audience that it’s the family that we are all fighting these evil Nazis for in the first place. The last ten minutes heats up nicely with plenty of dimly lit fisticuffs and of course it has that wartime government health warning about keeping your eyes open and your mouth shut. It’s not great, but passes the time enjoyably enough.