Lolita

B&W black comedy and psychological drama that was controversial in its day (and still is) so the physical intimacy of the adult-minor relationship is only hinted at. Sue Lyon turned 15 during shooting and is surprisingly a good actress at such a young age. Don’t expect much exploitation of her beauty, though, beyond an early scene of her in a two-piece bathing suit. The character of Quilty has less of a role in the book and is believable. He’s basically a dark shadow of Humbert, mirroring Humbert's carnal qualities. Unfortunately, Kubrick allowed Peters Sellers to get out-of-control in the part, which spoils it (and the movie). Don’t get me wrong, Peter Sellers has great charisma, even here, but too many of his Quilty scenes are nonsensical or implausible. The two worst examples are: When he shows up at that hotel and has that eye-rolling (ad-libbed) conversation on the porch while looking in the opposite direction of Humbert. Later he shows up at Humbert’s abode masquerading as a school psychiatrist threatening to have a group of therapists come over to observe Lolita's homelife, unless she can be in his play. Why Sure! It doesn’t help that Humbert curiously goes along with both without question. While overlong by at least half an hour, the cast is a highlight and the drama is fairly compelling and sometimes amusing despite the quaint datedness of the production and the eye-rolling Quilty scenes. The film runs 2 hours, 32 minutes, and was shot in both America and England. GRADE: B-