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🔔 Notify me when it’s streamingSynopsis
Jane, a housewife, is confronted during her daily chores by Dennis, her married lover with whom she has had a long affair. Dennis tells Jane that he has to break off their relationship. She threatens suicide, but when she picks up a shish kabob skewer, the two struggle and Dennis is stabbed in the chest and collapses. Jane hides the body in the house. Before she can leave, her brother-in-law arrives and tells her that he knows about the affair and that he has invited her husband, her lover, and his wife to her house that evening so that he can tell them about the affair.
Themes
Cast & crew
Directed by Irving Pichel
Laraine DayJane Bandle
Dane ClarkBill Bandle
Franchot ToneDennis Williams
Agnes MooreheadKatherine Williams
Bruce BennettFred Bandle
Frank Marlowe1st Television Installer
Harry LauterAmbulance AttendantPeter VirgoAmbulance Attendant
Marjorie StappNeighbor's Wife (as Margie Stapp)
Lester DorrNeighborJoan DupuisGirl ScoutHarrison Hearne2nd Television InstallerSimilar titles
Reviews · from TMDB members
John ChardSep 23, 2018
The Hour Of Twilight. Without Honor is directed by Irving Pichel and written by James Pope. It stars Dane Clark, Laraine Day, Franchot Tone and Agnes Moorehead. Music is by Max Steiner and cinematography by Lionel Lindon. A mixed bag on offer in this one, where a broth of "sins" is stirred suitably in predominantly one location. Set-up bares a striking resemblance to Hitchcock's Rope released the previous year, where a group of characters are thrust together in one livi… Read more
ng room deconstructing their sins, shattered dreams and ulterior motives - all while a supposed dead body lays prone in one of the bedrooms. The thematics at work are prime film noir, adultery, suicide attempt, sexual aggression, jealous agenda, duping and etc, all of which only comes to life half way through the piece. Here in is the problem, the pic asks for a lot of patience from the viewer before really getting going, which although the character group dynamic is pungent with an unsavoury odour, it never fully gets out of first gear. Things aren't helped by the flat visual look of the piece, where with the story set in daytime, we yearn for a bit of noir flourish from one of the ace noir photographers of the time. Then there's Steiner's score, which is a cracker, ebullience in abundance, only it's in the wrong film! Moorehead is wasted in what is ultimately a walk on passive role, but at least Clark and Day nail the traits of their respective characters. No hidden gem here, and noir hunters should be advised this is only noir from a plot perspective, but enough damaged human conditioning here to make it above average. 6.5/10