The Crusades

arre where the shrewd King Sancho (a rather fun George Barbier) sees an opportunity to offload his beautiful daughter Berengaria (Loretta Young) in return for victualling the army... We know that Richard and Berengaria were really in love, and for the rest of the film De Mille sticks to the script - but that's what rather drags it down. There are plenty of exciting siege and battle scenes around the city of Acre as the Christians attempt to reverse the Saracen battle spoils of the great Saladin (an effectively cast Ian Keith), but each time we return to the smouldering Young and her Rapunzel-like locks - whom, by now, is the object of both men's obsession The director is in his element with the big, set-piece action scenes and the photography from Victor Milner (who also did "Cleopatra" (1934) with de Mille) adds much to the epic-style look of the film, but Wilcoxon and Young don't really present us with an engaging pairing; and any sense of duplicity - particularly involving the conspiring French, is left too peripheral to the smouldering romance to make this as good as it could have been... There is a sterling performance from C. Aubrey Smith as the holy man, released at the beginning by Saladin and who goes on to mobilise the Christian armies to challenge the Islamic horde; and Alan Hale is quite effective in the role of the minstrel. Overall, I really enjoy these derring-do, heroic, adventure films and I did enjoy this - it's just that it could have been more rousing and less of a love story.