The Rainmaker

ing, perhaps, will be his impact on the Curry family... N. Richard Nash wrote it as a television play and would then see it hit the Broadway stage, so he was the logical choice for screenplay duties here. The film very much feels like a play, with very pronounced acting and sharp dialogue, it's also - at just over two hours in length - far too long for a talky based production. Thirty minutes could quite easily have been shaved off here. There's also the contentious casting of the Oscar Nominated Hepburn, who in many people's eyes - myself included - is miscast and just doesn't sit right in the role, leaving it to Lancaster to bring the flight and breeze to light up the piece. However, to enjoy the art of acting brings some rewards, it's also a pic of crafty humour and features a story of considerable humane substance. That one man, a scallywag, can have such a positive impact on a sterile backwater family, builds nicely to an ending that is a complete joy, a real smile raiser. It's also handsomely photographed by Lang, the colour lensing so smooth, and the production design, backed up by North's most appealing musical score, ensures you know that the makers cared about what they were doing. Relationships on set were initially rocky, but the principal stars would come to be friends and speak fondly of their time on the film. 6/10 Footnote: The material would also be turned into a musical titled 110 in the Shade.