The Ten Commandments

applies them to a family in 1920's America with two brothers who vie for the affections of the same girl whilst one seeks fame and fortune, the other a more contented existence. Both stories exhort the import of the Commandments as the basic tenets of human decency and values - and shy not from visiting severe punishments on those who transgress. The former story includes a wonderful score and, for the time, some pretty impressive special effects - especially the parting of the Red Sea. The second story is less impressive - more a slightly over-moralistic tale of greed and avarice that was hardly unusual then (or is now). The budget - some $1.8m was enormous for the time and the scale of the cinematography, extras etc. in phase one is impressive and convincing; the acting comes into it's own a bit more in the second act - with Richard Dix and Rod La Rocque playing the brothers well, and Nita Naldi shining as the Eurasian temptress "Sally Lung". As with so many silent films, it's all in their faces - and this one doesn't disappoint - even if there is a little too much theatrical gesturing and posturing now and again. On balance I probably prefer the 1956 iteration, again by De Mille, but there is little in it and if you do get a spare 2¼ hours then this is certainly a superb example of grand cinema from a visionary director.