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Spoiled playboy Henry van Cleve dies and arrives at the entrance to Hell, a final destination he is sure he deserves after living a life of profligacy. The devil, however, isn't so sure Henry meets Hell's standards. Convinced he is where he belongs, Henry recounts his life's deeds, both good and bad, including an act of indiscretion during his 25-year marriage to his wife, Martha, with the hope that "His Excellency" will arrive at the proper judgment.
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Cast & crew
Directed by Ernst Lubitsch
Don AmecheHenry Van Cleve
Gene TierneyMartha Strabel Van Cleve
Charles CoburnHugo Van Cleve
Marjorie MainMrs. Strabel
Laird CregarHis Excellency
Spring ByingtonBertha Van Cleve
Allyn JoslynAlbert Van Cleve
Eugene PalletteE.F. Strabel
Signe HassoYvette ("Mademoiselle")
Louis CalhernRandolph Van Cleve
Helene ReynoldsPeggy Nash
Aubrey MatherJamesVideos
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Reviews · from TMDB members
CinemaSerfDec 22, 2024
I kept seeing Clifton Webb in the role of "Henry Van Cleve" here, but Don Ameche manages it well enough as he arrives in the waiting room "downstairs" for an interview with Laird Cregar. He thinks he has lived his successful life in such a fashion as to merit refusal up where Mozart and Beethoven still play, but his interviewer decides to let him tell his own story and that's where we come in. "Henry" comes from a wealthy New York family where he is expected to conform to soc… Read more
iety rules by his father "Randolph" (Louis Calhern) and mother "Bertha" (Spring Byington). Well suffice to say he doesn't ever really want to play that game, but nobody quite expects him to pinch his cousin's bride-to-be "Martha" (Gene Tierney) just as they get engaged. What now ensues sees the couple's trials and tribulations as they bring up their own son "Jack" with the assistance of their grandpa "Hugo" (Charles Coburn) before sadness tinges his life. At the start we all make assumptions about "Henry", but gradually we realise that he's actually quite a decent cove whose instinctive behaviour is refreshing amongst the formality and pseudo-snobbishness of a society that's long since forgotten it's own shoot from the hip roots. Coburn is on good form, Eugene Palette - and his instantly recognisable tones - turns in a few fun cameos as her father and though maybe a bit long, it tells us a story of true love in a gently amiable, quite personable fashion that allows the chemistry between Ameche and Tierney to gently simmer.
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