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Day for Night
From Les Films du Carrosse · Productions et Éditions Cinématographiques Françaises · Produzione Intercontinentale Cinematografica (PIC)
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🔔 Notify me when it’s streamingSynopsis
A committed filmmaker struggles to complete his latest project while coping with a myriad of crises, personal and professional, among the cast and crew.
Themes
Cast & crew
Directed by François Truffaut
Jacqueline BissetJulie Baker
Valentina CorteseSéverine
DaniLiliane, the Trainee Script Girl
Alexandra StewartStacey
Jean-Pierre AumontAlexandre
Jean ChampionBertrand, the Producer
Jean-Pierre LéaudAlphonse
François TruffautFerrand, the Director
Niké ArrighiOdile, the Makeup Artist
Nathalie BayeJoelle, the Script Girl
Maurice SevenoTV ReporterDavid MarkhamDoctor Michael NelsonVideos
Trailers
Featurettes
Images · 11
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Reviews · from TMDB members
CinemaSerfMay 27, 2023
It's quite hard to succinctly review this Truffaut comedy - there is just so much going on. Essentially, Jacqueline Bisset ("Julie") is brought to Nice to star in a movie about a British woman who is married to a Frenchman. She comes to meet his family and promptly falls in love with her husband's father and so leaves him to shack up with his dad. It turns out, as the production progresses that the producer "Bertrand" (Jean Champion) and the director "Ferrand" (Truffaut himse… Read more
lf) have to deal with an whole gamut of issues as the cast - all assembled in a small hotel - come with more baggage than the Queen Mary. "Julie" is recovering from a failed marriage and a nervous breakdown; "Séverine" (Valentina Cortese) is having an affair - but with a bottle, and Jean-Pierre Léaud steals the film as the petulant and high-maintenance "Alphonse". It reminded me a little of Fellini's "8½" from ten years earlier, another behind the scenes as a movie is made story - but it could hardly be more different. Here, the cast and the crew could not have been more dysfunctional - a trait of the creative, I believe - but in the end somehow or other there is a chance the film might actually get made! It is good fun, and the odd contribution from Jean-Pierre Aumont help keep this 2 hour extravaganza moving along entertainingly. Georges Delerue's jaunty score compliments the lovely open-ness of this production, and I really enjoyed this film.