Mascara

her boss (Robert Kerman, AKA Richard Bolla) is having sexual encounters in his office with a high-class escort named Lucy (played by the unsettling Lee Carroll), Harriet decides to work up the courage to contact her and find out what her services are all about. This instantly sparks an unexpected and tight-knit friendship between the two women. Lucy becomes her mentor, introducing her to the escort world while helping her explore her deepest fantasies and come out of her shell. What makes this production standout within the genre is its extraordinary emotional sensitivity and its meticulous technical execution. "Mascara" unfolds as a drama with uncommon psychological depth. Findlay’s lens and cinematography capture a gritty, nocturnal New York that evokes the aesthetic of the French New Wave. Meanwhile, the explicit sequences written and shot by Pachard organically flesh out the characters' psychology, featuring a sensational Lisa De Leeuw as a vulnerable woman eager for new experiences. With great chemistry between the lead duo and an immersive soundtrack by composer Walter E. Sear, "Mascara" works perfectly both as a flawless time capsule of classic Manhattan and as a smart essay on urban alienation and the search for identity through the self-discovery of pleasure.