
Wicker
From Topic Studios · Tango Entertainment · South of the River Pictures
🎟 In theaters nowMarriage material.
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Synopsis
On the outskirts of a village by the sea, lives a Fisherwoman; smelly, single and perpetually ridiculed. One day, fed up with her stuffy, small-minded neighbours, she commissions herself a husband to be made from wicker. In an otherwise conservative town, this unconventional romance sparks outrage, jealousy and chaos.
Themes
Cast & crew
Directed by Eleanor Wilson, Alex Huston Fischer
Olivia ColmanThe Fisherwoman
Alexander SkarsgårdThe Wicker Husband
Peter DinklageThe Basketmaker
Elizabeth DebickiThe Tailor’s Wife
Marli SiuThe Bottlewasher’s Wife
Nabhaan RizwanThe Tailor
Richard E. GrantThe Doctor
Kiell Smith-BynoeThe Innkeeper
Gustav LindhThe Bottlewasher
Ella BruccoleriThe Bakerwoman
Ben AshendenThe Bakerman
Phil DanielsThe ButcherVideos
Trailers
Featurettes
Images · 13
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Reviews · from TMDB members
CinemaSerfNov 5, 2026
Perhaps because of her rather smelly occupation or perhaps because of her finely honed personal defence mechanisms, but the fisher woman (Olivia Colman) remains steadfastly unattached. Occasionally that earns her the derision of her fellow villagers, and after one wedding ceremony sees her chosen by the eggie equivalent of a ouija board to be the next bride, she decides it's time to resort to desperate measures. She heads into the woods and asks the local basket maker (Peter… Read more
Dinklage) to "make" her an husband. One month later and this strapping and kindly soul (Alexander Skarsgård) emerges into her life. Suffice to say it's not just her roof that gets a good fixing, but before long his generous and friendly approach is causing ructions in a village where the men are soon resentful of their wives interest in their new hunky resident, and where the wives are all soon infatuated by him and his prowess. Fuelled by some mischief from the duplicitous tailor's wife (Elizabeth Debicki) and a really clever plot twist towards the end, this is really quite good fun. Colman is a natural, there's bundles of chemistry between her and her newfound beau who manages to imbue his wooden character with quite a degree of humanity and personality, and though quite sparingly used, Dinklage has a glint in his eye throughout as he seems to present the film with it's mischievously moral rudder. There's a lot of effort gone into the look of this, sure, but it's really the pithy writing that tees up the a story that addresses serious issues of loneliness, envy and trust and wraps them in an amiable icing sugar.
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